A suite of musical performances that demonstrates the use of different coumputer music systems that have been developed as part of the VISGRAF Lab's research.
The video shows the researcher Sergio Krakowski playing pandeiro and experimenting on rhythm-based interaction.
The video is an example of how the information of the chords being played can be used to control an automatic composition algorithm.
The video shows the researcher Marcelo Cicconet improvising guitar solos with a blue bases on a multi-touch table surface.
The video shows an example of interaction with this musical instrument that can be played on iPad.
The video presents a musical performance of the song "Águas de Março". Except for the Pandeiro sounds and the singer's voice, every other sound is computer generated in real-time during recording. This generation is controlled by the Pandeiro sound using a software developed by the researcher.
The intention of this work is to explore how motion can be used to guide music composition. The authors introduce a method for synthesizing an original music piece based on the analysis of a dancer's movement.
Record of interpretations of the song "Lagrange Points" (Marcelo Cicconet) in sessions of the workshop "Music, Mathematics and Computing", as part of the 2017 Mathematics Festival.
Record of interpretations of the song "Universal Cadence" (Marcelo Cicconet) in sessions of the workshop "Music, Mathematics and Computation", as part of the 2017 Mathematics Festival.