As Digital Humanities 2018 is approaching, I took a time to look at its program. Unfortunately, I didn’t have contributions to submit this year so I won’t attend the Conference. But I had the pleasure to be a reviewer this edition and I’ll also stay tuned on Twitter during the Conference!
My main topic of interest in Digital Humanities bridges the analysis of large-scale visual archives and graphical user interface to browse and make sense of them. So I selected the following contributions I would like to attend if I were at DH2018.
Distant Viewing with Deep Learning: An Introduction to Analyzing Large Corpora of Images
by Taylor Arnold, Lauren Tilton (University of Richmond)
Taylor and Lauren coordinate the Distant Viewing, a Laboratory which develops computational techniques to analyze moving image culture on a large scale. Previously, they contributed on Photogrammar, a web-based platform for organizing, searching, and visualizing the 170,000 photographs. This project was first presented ad Digital Humanities 2016. (abstract here) and I’ve mentioned this work in my presentation at the HDRIO2018 (slides here, Portuguese only).
- Beyond Image Search: Computer Vision in Western Art History, with Miriam Posner, Leonardo Impett, Peter Bell, Benoit Seguin and Bjorn Ommer;
- Computer Vision in DH, with Lauren Tilton, Taylor Arnold, Thomas Smits, Melvin Wevers, Mark Williams, Lorenzo Torresani, Maksim Bolonkin, John Bell, Dimitrios Latsis;
- Building Bridges With Interactive Visual Technologies, with Adeline Joffres, Rocio Ruiz Rodarte, Roberto Scopigno, George Bruseker, Anaïs Guillem, Marie Puren, Charles Riondet, Pierre Alliez, Franco Niccolucci
Paper session: Art History, Archives, Media
- The (Digital) Space Between: Notes on Art History and Machine Vision Learning, by Benjamin Zweig (from Center for Advanced Study in the Visual Arts, National Gallery of Art);
- Modeling the Fragmented Archive: A Missing Data Case Study from Provenance Research, by Matthew Lincoln and Sandra van Ginhoven (from Getty Research Institute);
- Urban Art in a Digital Context: A Computer-Based Evaluation of Street Art and Graffiti Writing, by Sabine Lang and Björn Ommer (from Heidelberg Collaboratory for Image Processing);
- Extracting and Aligning Artist Names in Digitized Art Historical Archives by Benoit Seguin, Lia Costiner, Isabella di Lenardo, Frédéric Kaplan (from EPFL, Switzerland);
- Métodos digitales para el estudio de la fotografía compartida. Una aproximación distante a tres ciudades iberoamericanas en Instagram (by Gabriela Elisa Sued)
Paper session: Visual Narratives
- Computational Analysis and Visual Stylometry of Comics using Convolutional Neural Networks, by Jochen Laubrock and David Dubray (from University of Potsdam, Germany);
- Automated Genre and Author Distinction in Comics: Towards a Stylometry for Visual Narrative, by Alexander Dunst and Rita Hartel (from University of Paderborn, Germany);
- Metadata Challenges to Discoverability in Children’s Picture Book Publishing: The Diverse BookFinder Intervention, by Kathi Inman Berens, Christina Bell (from Portland State University and Bates College, United States of America)
- Chromatic Structure and Family Resemblance in Large Art Collections — Exemplary Quantification and Visualizations (by Loan Tran, Poshen Lee, Jevin West and Maximilian Schich);
- Modeling the Genealogy of Imagetexts: Studying Images and Texts in Conjunction using Computational Methods (by Melvin Wevers, Thomas Smits and Leonardo Impett);
- A Graphical User Interface for LDA Topic Modeling (by Steffen Pielström, Severin Simmler, Thorsten Vitt and Fotis Jannidis)